Mozart's 41st symphony, eventually nicknamed "Jupiter," is currently on the sixth tier of the Talk Classical community's favorite and most highly recommended works. Show track info. 5; Recommended recording: BBC National Orchestra of Wales/Mark Wigglesworth BIS-CD-973/974 Buy from Amazon; Buy from Presto Music; The 20 Greatest Conductors of all time; 16) Beethoven – Symphony No. Audio Examples. 41 in C, K551, ‘Jupiter’ Like many symphony or concerto nicknames, this one is unofficial, subsequently tacked on by a publisher. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. On the present disc we have the familiar pairing of Mozart's final two symphonies, Nos. Unlike the Eine Kleine Nachtmusik epithet, which stems from Mozart’s own description in his personal notebook, the word ‘Jupiter’ probably has nothing to do with Mozart. Walter Berry’s Don Alfonso is characterful and Hanny Steffek is quite superb as Despina. This is an Olympian peak among Mozart’s symphonies. I didn't like the sound of the Bohm/BPO set on DG Originals which seemed thin and dry. 41 in C major, K. 551 ‘Jupiter’: IV. by David Hurwitz. the Mozart "Symphony No. Ignore the odd insignificant pianistic smudge, because keyboard prowess is formidable. These artists aren’t stratified. Wolfgang Amadeus MOZART (1756–1791) Symphony No. Bernstein's VPO recording of the 40th Symphony seemed uninvolved but the Jupiter was pretty good. The Count of Simon Keenlyside is powerful, menacing, lean and dark in tone. 97 and Mozart’s Jupiter Symphony (No. Receive a weekly collection of news, features and reviews, Gramophone During this immensely productive span of time, Mozart revolutionised the symphony as a musical form and it seems to me that there were landmark symphonies that illustrated this. I never had any doubts about this recording from the opening notes. The reconstruction used here, slightly different in some of its detail from others I have heard, works very well, making the familiar text’s rough places plain and logical; and it serves ideally for Meyer, with his rich and oily bottom register...' Read the review, 'Of the utmost importance in conveying convictions is Pienaar’s strong, independent left hand. 39 in E flat [28:55] Danish National Chamber Orchestra/Adam Fischer rec. I guess it is OK, the first movement is too repetitive though, The first movement is a challenge to the performer! Like many modern-instrument performances these days it shows the period-orchestra influence in its lean sound, agile dynamic contrasts, sparing string vibrato, rasping brass, sharp-edged timpani and prominent woodwind, though given Mackerras’s long revisionist track-record it seems an insult to suggest that he would not have arrived at such a sound of his own accord. A multi-award winning double album of some of Mozart's finest symphonic works. 41 in C major, K. 551, on 10 August 1788. Recording Details: Reference Recording: Walter (Sony) WOLFGANG AMADEUS MOZART - Symphony No. Even if you don't like her voice, there's no denying Bartoli's prowess as … Extend such thoughtful, profound probity to the whole set and you have interpretations where within the letter critically observed, a numinous potency breaks free. This recording was named one of '5 Essential Works by Wolfgang Amadeus Mozart' by BBC Music Magazine in 2012 as well as being a winner at the 2009 Classical BRIT Awards (Critics' Award 2009) and the 2009 BBC Music Magazine Awards (Disc of the Year Award and Orchestral Award). You get the precision of Toscanini with the warmth of Walter.'' The 50 greatest Mozart recordings (2019 update) Gramophone Wednesday, May 15, 2019 50 of the finest Mozart recordings in history, plus extracts from the original Gramophone reviews, a playlist, and links to the albums on Apple Music. In the finale, he superimposes five themes from the movement in a jaw-dropping tour de force. 41, KV 551 ‘Jupiter’ (1788) [38.30] Symphonieorchester des Bayerischen Rundfunks/Herbert Blomstedt rec. MOZART Symphonies Nos. Tempos are lively, rhythms are clean, and the playing is excellent. That said, its characteristics are rather nearer my period-performance choice, Christie’s 1995 set...' Read the review. 41, ‘Jupiter’ An early exponent and experimenter of symphonic form, Mozart was partly, if not largely, responsible for moulding the symphony into its original figuration. His recording of the complete chamber music of Franz Xavier Mozart was released in 2013 on Equilibrium. Mozart - Symphony No. Mozart's Symphony No. Find many great new & used options and get the best deals for Mozart: Symphony Nos. As the last three symphonies (Nos. 1. Be it high drama or lyrical contemplation, Pienaar scans phrases with a fluidity that releases the music from rhythmic inertia. Profil PH05047. “To do good whenever one can, to love liberty above all else, never to deny the truth, even though it be before the throne.” - Ludwig van Beethoven. The Bottom Line: This 22-CD set contains all of the recordings that Shaham made for … Please Subscribe to our New channel @PAINTED. Thomas Beecham is on sparkling form with the Royal Philharmonic Orchestra. Wolfgang Amadeus Mozart completed his Symphony No. 41 in C Major, or the Jupiter Symphony. 41 in C major, K. 551, “Jupiter,” Mozart’s final and longest symphony, which he wrote 1788, just three years before he died. 40 In the second installment in our "Must-Have Mozart" series, musical scholar Nicholas Kenyon talks about his favorite recording of Mozart's Symphony No. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to, The Marriage of Figaro (Le nozze di Figaro). Composer(s) Wolfgang Amadeus Mozart. 39 generally, as it does here, stands for sonority and warmth, often also for a kind of ceremonial stateliness. 41 in C major, K. 551, on 10 August 1788. The similarities between Michael’s 29 th and 39 th, and Mozart’s 41 st are sometimes startling, as you can hear. Mozart was an operatic composer, in my opinion, and the real drama of his music comes out best in the 45 symphony box set that Fischer conducted. 39-41 – Ensemble Resonanz, Minasi Jonah Pearl - March 27, 2020 March 26, 2020 Written in a single summer of 1788 amidst considerable personal turmoil, Mozart’s final three symphonies have acquired almost cult-like status. 40, KV 550 (1788) [34.09] Symphony No. Mozart – Symphony 26. Symphony No. 41. Now I can also enjoy Mackerras' leading wonderful performances of four symphonies in detailed and spacious sound recordings. Sols; Philharmonia Chorus and Orchestra / Karl Böhm. No.41 in C is probably his brightest and most complex symphony. Give and take between orchestral sections seems conversational, and the busy, remarkable fugue that closes the “Jupiter” is so clear that it might well be the finale of the second act of Figaro. These are performances which rank among the best played on modern instruments: they may be played on … 39 1, 40 2, 41 3 • Bruno Walter, cond; 1 BBC SO; 2 Berlin Staatskapelle; 3 Vienna PO • OPUS KURA 2107, mono (74:44) A small red balloon in the lower right-hand Read more corner of the booklet cover advertises “New Master 2013.” Presumably a new remastering is meant, or else perhaps Nipper has sought out another master’s voice to which to hearken. Audio Examples. The emotional control of the characterisation is masterly and Böhm’s totally idiomatic response to the music is arguably without peer....' Read the review, 'Something both grand and reflective is suggested in the first movement, grand in the “hunting” motif of the exposition, reflective in the F major beginning of the development to which a touch of sobriety is added as the music sinks into F minor a little later. In particular, these performances of Symphonies Nos. I have searched and listened to a handful of performances of Mozart's last two great symphonies (40 and 41). I spent a lot of time exploring this music about 10 years ago and one I remember really thinking made a good job in the first movement was by Klemperer, the one here. Symphony No. A pinch of playful naivety, a dash of European grandeur, and a hint of operatic humour thrown in for good measure: the majestic C major blaze of the ‘Jupiter’ symphony takes the best features of Mozart’s style and fits them all together in … 38; Symphony No. The more important of the two is the crowning jewel in Mozart’s symphonic output, Symphony No. Mozart: Symphonies Nos. Szell is known for his precision, directness and clear phrasing - this works beautifully for Mozart. Speaking of "most respected" Mozart symphony recordings we should not forget the Bernstein/ VPO record of symphonies 40 & 41, that receives top recommendations in both the Gramophone guide and the Penguin Guide (and a "rosette" in the latter). Roger Norrington’s recordings with the London Classical Players set the tone for historically informed … Mozart’s 31st Symphony in D Major was written not long after he moved to Paris in 1778, and was premiered that same year. 41," on the May 1 concert, and both the Bartok "Piano Concerto No. Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. Not to evade the question, but it really does depend on the listener. 41). Review: Mozart – Symphonies No. About Mark Allen Group Now I can also enjoy Mackerras' leading wonderful performances of four symphonies in detailed and spacious sound recordings. Get acquainted with our picks for the 20 essential Mozart recordings. For Mozart: Adam Fischer. Free Online Library: Mozart: Symphonies Nos. Tuesday, January 14, 2014, Mozart was arguably the most naturally gifted musician in history; these are classic recordings of his 10 key works, Scottish Chamber Orchestra / Sir Charles Mackerras, 'There is no need to argue the credentials of Sir Charles Mackerras as a Mozart interpreter, so let us just say that this double CD of the composer’s last four symphonies contains no surprises – it is every bit as good as you would expect. 40 and 41 merit comparison with the best. Lorenzo Regazzo offers a strong Figaro, with a wide range of voice – angry and determined in ‘Se vuol ballare’, nicely rhythmic with some softer colours in ‘Non più andrai’, and pain and bitterness in ‘Aprite’. What a great treasure Mozart has left us with these four symphonies. 41 (‘Jupiter’) in C major. Sibelius’ second symphony is utterly joyful, with the clarity and charm that … The quartet has been acclaimed as “one of the country’s best young string quartets” by the Boston Globe. The laughter in Patrizia Ciofi’s voice is delightful when she is dressing up Cherubino, and she has space in ‘Deh vieni’ for a touchingly expressive performance. Cecilia Bartoli - Mozart Arias. On the 250th anniversary of Wolfgang Amadeus Mozart's birth, we look at his final symphony: No. Molto allegro. MA Music, Leisure and Travel In Mozart, the key of E-flat major of Symphony No. W.A. Bohm is on the slower side yet his articulation and phrasing is masterfully done. Gramophone is brought to you by Mark Allen Group A swirling sea of melody pervades the opening Allegro vivace of Symphony No. 41 in C (‘Jupiter’) First of all, the nickname. It sounds gorgeous. HALIDONMUSIC 114,902 views. Gramophone is part of Liberty for wolves is death to the lambs. He has taken 25 first prizes in national and international competitions and in 1999 was awarded the special “Mozart Prize” at the Cleveland International Piano Competition, given for the best performance of a composition by Mozart. The best recordings of Shostakovich’s Symphony No. The two sisters are gloriously sung – Schwarzkopf and Ludwig bring their immeasurable talents as Lieder singers to this sparkling score and overlay them with a rare comic touch. These are very fresh readings in the "big band" tradition, and a nice contrast to the HIP camp (which I myself usually find myself … Get acquainted with our picks for the 20 essential Mozart recordings. August and December 2012 and February 2013, Studio 2, DR Koncerthuset, Copenhagen DACAPO 6.220546 SACD [57:19] Wolfgang Amadeus MOZART (1756-1791) Symphony No. This is certainly the most desirable version using modern instruments to appear since Solti’s second recording in 1990. Bruno Walter's Columbia recording with the Philharmonic-Symphony Orchestra of New York of symphony 41 has been a favorite since the fifties. Véronique Gens offers a beautifully natural, shapely ‘Porgi amor’ and a passionate and spirited ‘Dove sono’ (with the piano rampant near the end). play; pause; Symphony No. Symphony No. Mozart (1756-1791):Sinfonía nº 41, en do mayor, KV 551, «Júpiter»Allegro vivace (0:17)Andante cantabile (12:10)Menuetto. Take a musical deep dive into Mozart. 41 in C [34:44] Danish National Chamber Orchestra/Adam Fischer rec. An invigorating first movement predominates, followed by a … In Symphony No. 40 & 41 “”Jupiter”” ... very fine performances, characteristic of the best of what the period-instrument movement has to offer in this music. February 2013, Studio 2, DR Koncerthuset, Copenhagen DACAPO 6.220639 SACD [64:32] Adam Fischer’s Mozart symphony cycle concludes with the last symphonies, and it does so in terrific style. 41 & 1/The Marriage Of Figaro Overture (CD, Sep-1994, Madacy) at the best online prices at … Jupiter Symphony, byname of Symphony No. Best recordings of Mozart's late symphonies? Today’s talents will be tomorrow’s legends. John Butt brings to Mozart the microscopic care and musicological acumen that have made his Bach and Handel recordings so thought-provoking and satisfying....' Read the review, 'The cast is excellent. 10: Mozart: Symphony No. Mr. Berofsky was the first violinist of the Chester String Quartet for fifteen years. Unfortunately, it appears to be marketing hype, coined by the same chap who promoted Haydn concerts in England, one Johann Peter Salomon. Of his 50-odd symphonies, produced between 1764 and 1788, the earliest ones are conventional but precocious, reflecting influences of Johann Christian Bach, Giovanni Battista Sammartini, and Joseph Haydn. 39-41) were written in a very short time during 1788, it appears likely that the composer conceived them as a cycle. Mozart – Symphony 26. 3," and the "Concerto for Orchestra," on the final May 2 concert. Fortunately, Pentatone do live recordings as well or better than anybody, so it's not a total loss; and if you enjoy live recordings, you'll love this one. New; 4:15:01. And in any case his handling of it – joyously supported by the playing of the Scottish Chamber Orchestra – is supremely skilled; rarely will you hear such well judged orchestral balance, such effective marrying of textural transparency and substance....' Read the review, 'The qualities that make Cooper quite simply one of the finest pianists this country has produced make her perfect for Mozart duty. Instead of “a new symphony for each evening’s entertainment” patrons came to prefer “a few superior symphonies, each heard several times.” HISTORY OF SYMPHONY #41: Leopold Mozart’s death (1787) deprived historians of written records. Wolfgang Amadeus Mozart completed his Symphony No. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. But I did question whether it was a period instruments band playing, given that the first few moments of the opening of Symphony No. In total Mozart completed forty-one symphonies in his brief lifetime. This is the instrument for which the work was originally composed, although only a text adapted to the normal clarinet has come down to us. 4 Best Mozart Symphonies. These last three symphonies, all completed in the summer of 1788, are not only his most famous symphonies but some of… Then there is Angelika Kirschlager’s Cherubino, alive and urgent in ‘Non so più’, every little phrase neatly moulded. 39 & 41. Previously Wolfgang’s letters to … From the depth and precision of the opening chords to the fugitive spirit of dance which no one else quite captures, the Philharmonia under Giulini become a second cast on their own. Excellent recommendations! The retrospective elements are most obviously manifested in the close thematic relationship that exists between this Symphony in the ‘festive’ key of C major and previous works bearing the same tonality, most notably Haydn’s Symphony No. Speaking of "most respected" Mozart symphony recordings we should not forget the Bernstein/ VPO record of symphonies 40 & 41, that receives top recommendations in both the Gramophone guide and the Penguin Guide (and a "rosette" in the latter). Bruno Walter's Columbia recording with the Philharmonic-Symphony Orchestra of New York of symphony 41 has been a favorite since the fifties. Take a musical deep dive into Mozart. So often the tiniest detail – the weight of a chord, the length of a silence, the linking curve of a phrase, the parting of the inner voices of the strings – stage-manages the drama more shrewdly than a good many theatre directors ever do...' Read the review, Sols; Arnold Schoenberg Choir, Mahler Chamber Orchestra / Claudio Abbado, 'Had this new set been to hand when I discussed all versions of Die Zauberflöte in January, it would have been high on my list of recommendations. Thomas Fey, Mannheim Mozart Orchestra. More proof, if it were needed, of the correct use of the word ‘genius’ when applied to Mozart. Review: Mozart – Symphonies No. | Notice how beautifully Wand floats the opening theme of the great G minor symphony atop its accompaniment, or his trenchant attack on the finale–not too fast, but rhythmically ferocious. 'Karl Böhm’s cast could hardly … Karl Böhm was the first to record all Mozart’s symphonies. The Finale: Molto assai, one of the most volatile movements Mozart ever wrote, is vehemently robust and agitated under Blomsted, and makes a significant impact. The best recordings of Shostakovich’s Symphony No. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Symphony No. The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics. Artist(s) Sir Charles Mackerras Scottish Chamber Orchestra. Marie McLaughlin sings Marcellina with unusual distinction...' Read the review, Soloists; Philharmonia Chorus and Orchestra / Carlo Maria Giulini, 'There is no doubt that the orchestral playing here is unsurpassed. ... I’m always up for listening to recordings of 35-41, and I’ve heard a ton of them. 40 in G minor [29:48] Symphony No. 41 in C Major, K 551, orchestral work by Austrian composer Wolfgang Amadeus Mozart, known for its good humour, exuberant energy, and unusually grand scale for a symphony of the Classical period.These qualities likely earned the symphony its nickname “Jupiter”—for the chief god of the ancient Roman pantheon. 41 / Ouvertüre Zu "Figaros Hochzeit" / Symphonie No. 39 and 41. 40 and 41 "Jupiter," here done by the NDR Radio Philharmonic under its estimable chief conductor Andrew Manze. Wolfgang Amadeus Mozart, The London Philharmonic Orchestra, Alfred Scholz, Camerata Labacensis, Alexander von Pitamic - Symphonie Nr. 41 in C [34:44] Danish National Chamber Orchestra/Adam Fischer 7 (1812) Beethoven’s ‘return to life’ – a bubbling cauldron of exuberance and vitality. If Rene Jacobs records the rest of Mozart's symphonies after he completes the operas, then I would say that is a … But as his performance of the Alla turca Sonata, K331, shows, technique isn’t allowed to edge ahead of emotional and intellectual depth. Symphony 26 Allegro – Symphony 26 Andante – Symphony 26 Molto Presto – Mozart – Symphony 41 Add to that the stylish singing of Alfredo Kraus and Giuseppe Taddei and the central quartet is unimpeachable. Clear but velvety ringing tone, perfect voicing of chords, unsleeping alertness to the necessary subtleties of rubato and line, and above all an ability to realise this music’s intimate poetry that can make you catch your breath, make these performances the kind that any musician should listen to and learn from...' Read the review, Sols; Philharmonia Chorus and Orchestra / Karl Böhm, 'Karl Böhm’s cast could hardly be bettered, even in one’s dreams. Still, #41 get the same qulity craftsmanship here by Sir Charles and his Scotts, of whom he was music director from ***** to *****. All times are GMT +1. The work is nicknamed the Jupiter Symphony, likely coined by the impresario Johann Peter Salomon. Mozart wrote it … (Sound recording review) by "Sensible Sound"; Music Consumer news, advice, product reviews Sound recordings Sound recording … 40, and specifically in the famous first movement, on the other hand, drama and rococo elegance are mixed. Symphony 26 Allegro – Symphony 26 Andante – Symphony 26 Molto Presto – Mozart – Symphony 41. What a great treasure Mozart has left us with these four symphonies. Pienaar pays attention to the oft-forgotten grazioso element in the first movement, eschews metrical stiffness in the Minuet, yields to the Trio’s distinctive flow and refuses to turn the March into a janissary bash. The current date and time is, Mozart: Symphony #41 in C, K. 551 "Jupiter", the Talk Classical community's favorite and most highly recommended works, F. Magle - Contemporary Classical Composer, Organist and Pianist. 41 ‘Jupiter’. He will be conducting Così fan tutte. Momentous Mozart...' Read the review, 'Purely on grounds of performance alone, this is one of the finest Mozart Requiems of recent years. Sibelius: Symphony No.2. 5; Recommended recording: BBC National Orchestra of Wales/Mark Wigglesworth BIS-CD-973/974 ... Mozart – Symphony No. 1 ‎ … The sound of this recording brings the musicians into your listening space. Guests with the orchestra include Conductor Aldo Ceccato, music director of the Hamburg Philharmonic and formerly with the Detroit Symphony Orchestra. Mozart’s piano concertos are often spoken of as being operatic; indeed, with Jacobs at the helm of these symphonies, much the same might be said. Not to evade the question, but it really does depend on the listener. His award-winning 1960s recordings with the Berlin Phil are poetic and perfectly measured. Symphony No. Bowing varies from precise attack to breathy delicacy; and lines are supple, contoured through flexure of phase and the easing or tightening of pace without ever disrupting pulse...' Read the review, Wolfgang Meyer; Concentus Musicus Wien / Nikolaus Harnoncourt, 'There are happy and shapely performances of all three concertos here, but the particular delight is that of the latest and greatest of them, the Clarinet Concerto, which Wolfgang Meyer plays on a basset clarinet – that is, an instrument with an extension allowing it to add four semitones at the bottom of its compass. Reiner recorded 35,36,39,40 and 41 with the CSO. . Jacobs, René (conductor) Freiburg Baroque Orchestra; Harmonia Mundi - 901958; CD; Share This Review: Latest ClassicsToday Insider Reviews: Video Review: Shaham Sizzles on DG. 41 in C major, K. 551, on 10 August 1788. Finally, Symphony No. 41 in C major, K. 551 ‘Jupiter’: IV. 50+ videos Play all Mix - Mozart Symphony 40 & 41 - Full Recording HQ | K550 K551 YouTube; The Best of Mozart - Duration: 4:15:01. Symphony no 41 in C major, K 551 "Jupiter" by Wolfgang Amadeus Mozart ... Mozart's Best by the Best April 27, 2017 By owen ryan (lakewood, CA) See All My Reviews " As noted by Classics Today ''these recordings have long been regarded among the best. A much-mistreated piece emerges in a different light. It tightens harmonic tension and supports rather than accompanies treble lines. Symphony No. The pacing of this endlessly intriguing work is measured with immaculate judgement. Mozart's 41st symphony, eventually nicknamed "Jupiter," is currently on the sixth tier of the Talk Classical community's favorite and most highly recommended works. 35; K.385 in D major . Mozart: Symphonies n° 29, 33, 35, 38 & 41 | Wolfgang Amadeus Mozart by Orchestra Mozart – Télécharger et écouter l'album Menuetto: Allegretto 05:03 4,20 € Buy. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. Molto allegro 11:30 6,30 € Buy. Symphony No. The HD-Audio surround mixes immerse you in the musical interplay with full range frequency response and dynamics. Wolfgang Amadeus Mozart completed his Symphony No. 39-41 – Jordi Savall Tal Agam - June 20, 2019 August 16, 2020 These performances, titled “Le Testament Symphonique”, mark the return of Jordi Savall and his period group “Le Concert des Nations” to Mozart , after memorable versions of … The finale is certainly exuberant and exciting. Nine crucial works. This brings a big dose of nervous energy to the first movement and minuet of Symphony No. The sound of this recording brings the musicians into your listening space. 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